A LARGE INDONESIAN ENAMELLED SILVER FILIGREE BASKET AND COVER by Unknown artist
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A LARGE INDONESIAN ENAMELLED SILVER FILIGREE BASKET AND COVER 1700

Unknown artist

Silver
22 cm, ø 18 cm
Price on request

Zebregs & Röell - Fine Art - Antiques

  • About the artwork
    West Sumatra/Padang or Batavia, circa 1700, apparently unmarked

    With soldered floral motifs filled with blue and green enamel

    H. 22 x Diam. 18 cm

    Note:

    The present basket is almost identical to a silver filigree basket also with soldered flowers and leaves however lacking the colourful blue and green enamels as in the present basket. In Een bijzondere doos van zilver-filigrain (Aziatische Kunst, 32ste jaargang, Nr. 4, December 2002) Jan van Campen attributes the basket to Indian and Chinese artisans working in Batavia. Jan Veenendaal (Asian Art and the Dutch Taste, Waanders Uitgevers and Gemeentemuseum Den Haag, 2014) on the other hand argues that this kind of silver filigree work is more likely to have been the work of Chinese and Malay silversmiths working in West Sumatra, Padang. However, the enamelling may have been done in Batavia. The present basket certainly is very similar to a filigree box with green enamelling, modelled on a Chinese example, from West Sumatra illustrated in Jan Veenendaal’s book (ill. 195 and 196).
  • About the artist

    It might happen that an artist or maker is unknown.

    Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

    As well you can find the following description:

    •“Attributed to ….” In their opinion probably a work by the artist, at least in part

    •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

    •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

    •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

    •“Manner of ….” In their opinion a work in the style of the artist but of a later date

    •“After ….” In their opinion a copy (of any date) of a work of the artist

    •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

    •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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