Quinizarin 2011 Woodcut spots (37/55) by Damien Hirst
Quinizarin 2011 Woodcut spots (37/55) by Damien Hirst
Quinizarin 2011 Woodcut spots (37/55) by Damien Hirst
Quinizarin 2011 Woodcut spots (37/55) by Damien Hirst
Quinizarin 2011 Woodcut spots (37/55) by Damien Hirst
Quinizarin 2011 Woodcut spots (37/55) by Damien Hirst

Quinizarin 2011 Woodcut spots (37/55) 2011 - 2022

Damien Hirst

Paint
30 ⨯ 65 cm
Currently unavailable via Gallerease

AbrahamArt

  • About the artwork

    Vanaf het begin van zijn carrière was Hirst geïnteresseerd in de mogelijkheden van de prentkunst en het meervoudige beeld. Voor de originele serie Farmaceutische schilderijen vond Hirst een raster uit met slechts één simpele regel: voor elk werk mochten alle kleuren maar één keer worden gebruikt. Als afdrukken verleiden de spots door uitbundige kleuren, hoewel het proces zelf technisch veeleisend en arbeidsintensief is, omdat elke spot afzonderlijk moet worden geïnkt voordat hij wordt afgedrukt. De titels van elke spotprent zijn ontleend aan chemische stoffen die door de farmaceutische industrie worden gebruikt.

  • About the artist

    Damien Hirst (Bristol, June 7, 1965) is one of the world's best-known living contemporary artists. From 1986 to 1989 Damien Hirst studied at Goldsmith's College in London. He belongs to the group Young British Artists (YBA) and his breakthrough came in 1988 during an exhibition called Freeze in a vacant London harbor building.

    Damien Hirst explores the theme of death in his works. “I am aware of mental contradictions in everything, like: I am going to die and I want to live forever. I can't escape the fact and I can't let go of the desire.”

    Damien Hirst gained worldwide fame for his artworks featuring animals preserved in formaldehyde in an aquarium, such as the shark installation (1991) “The Physical Impossibility Of Death In The Mind Of Someone Living”. The shark looks lifelike because it is just a real shark that seems to float in water. With its jaws gaping and razor-sharp teeth, it seems a direct threat to the life of the viewer, who is directly confronted with his own mortality. This work sold for 9.3 million in 2004 and Hirst's work "Lullaby Spring" was auctioned at Sotheby's in June 2007 for 14.5 million, the most expensive artwork ever auctioned by a living artist at the time.

    Damien Hirst's work is an extreme and outrageous form of art in this century. Decadent to classical beauty, from the interior to the conceptual. Damien Hirst's work is always a celebration of life and it harks back to the urgent in our time: death, decay and disease. This often goes hand in hand with the sleek formality of the glass display case or the white cube. Metaphors of medicine and medical knowledge, media propaganda and alienation from nature are reflected in the form and content of his work. With influences from Francis Bacon to English punk to the pop art of the sixties. The media associates his work with death but he does equally good work on love and with a poetic approach.

    Perhaps Damien Hirst's most famous work is "For the Love of God" from 2007, a platinum cast of a skull of an 18th-century European, set with 8,601 diamonds, one of which is 52.4-carat pink. The artwork "For the Love of God" has a value of at least 75 million euros, according to British media.

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