MATERNITY FIGURE, FANG-MABEA, CAMEROON.PROVENANCE R.CAILLOIS-P.RATTON. by Unknown artist
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MATERNITY FIGURE, FANG-MABEA, CAMEROON.PROVENANCE R.CAILLOIS-P.RATTON. 1920 - 1930

Unknown artist

81 ⨯ 34 ⨯ 34 cm
ConditionVery good
€ 24.900

Spectandum Gallery

  • About the artwork
    A standing Fang Mabea Maternity of Museum quality, holding a pestle with both her hands. The mother's head is slightly turned to the left, while the child, carried on her back, has his head turned to the right. Her left leg indicates a walking movement, which is not frequent for African sculptures. The eyes are inlaid with glass, the mouth has fine metal teeth, and her hair dress, in leather, is fixed with tiny indigenous nails. The statue has a brown patina typical for the region. The statue dates from the first half of the 20th century and is supposed to be made for a Colonial Exhibition in France. Provenance: R. Caillois (1913-1978), writer, sociologist and member of the “Académie Française” initially owned the sculpture. He was in contact with Andre Breton in the 1930s and befriended Salvador Dali, Paul Eluard and Max Ernst. He broke with the Surrealist movement in 1935 and started the magazine 'Inquisitions' with Tzara and Aragon. After his death, the sculpture stays in the family. P.Ratton certified the statue, owned by the widow (second wife) of R.Caillois, on 27/10/1995 Baroness Josephine Sloet tot Everlo held the sculpture until 31/12/2014.
  • About the artist

    It might happen that an artist or maker is unknown.

    Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

    As well you can find the following description:

    •“Attributed to ….” In their opinion probably a work by the artist, at least in part

    •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

    •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

    •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

    •“Manner of ….” In their opinion a work in the style of the artist but of a later date

    •“After ….” In their opinion a copy (of any date) of a work of the artist

    •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

    •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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