Paysage d'été en Provence / zomers landschap Provence Frankrijk 1930 - 1940

Artista Desconhecido

Pintura a óleoPintar
27 ⨯ 33 ⨯ 4 cm
ConditionVery good
€ 700 - 1.000

Art Point Amsterdam

• Sobre arte
  Techniek : olieverf op paneel
  Totale afmetingen: 27 x 33cm
  Beeldmaat / paneelmaat: 20 x 24cm
  Conditie: in goede staat.
  Lijst: in originele lijst
  Signering: rechtsonder.
  Herkomst: collectie jacob Gelt Dekker
  
  
  Albert André
  Lyon, 1869-Laudun, 1954
  Albert André was born in Lyon where his father owned a silk hat factory. He studied at the Lycée in Lyon and spent his holidays in Laudun (Gard). Towards 1885 he took up drawing and worked on projects for the silk industry. Faced with his lack of enthusiasm towards this activity, his family accepted to send him to Paris so that he could dedicate himself seriously to the study of painting. He moved to Paris probably around 1889 and attended the Académie Julian where he met, among others, Paul Ranson (a member of the Nabis group) and Valtat. In 1894 he took part for the first time in the Salon des Indépendants. He was noticed by Renoir, who recommended him to Durand-Ruel, his future dealer. This marked the beginning of his career as an artist. In the years that followed, he took part with Toulouse-Lautrec in the stage design for the Chariot de Terre Cuite (an avant-garde play given at the Théâtre de L'Ouvre). With Maurice Denis, Bonnard and Vuillard (all members of the Nabis group), he exhibited works at Bing's, the important Japanese Art dealer and inventor of the Art Nouveau style. His talent was recognised after his first personal exhibition at Durand-Ruel in 1904, and numerous exhibitions and commissions followed. He appeared next to Monet, Cézanne, Renoir, Pissarro in the exhibition entitled Natures Mortes (Durand-Ruel 1908), was commissioned a large decorative panel for the French pavilion at the Universal Exhibition in Turin, and was chosen to celebrate the Interpretation du Midi at the Salon de La Libre Esthétique in Brussels (1913), while his first personal exhibition in New York (Durand-Ruel 1912) met with great success. Then came the war and his demobilisation in 1917, followed by his move to Endoume, near Marseille, where the artist, rediscovering the pleasure of painting, signed some of his most beautiful works (The Day of the Armistice, Walk in Endoume, Terrace by the Sea).
  
  He was the author of Renoir's-and later Monet's-biography and portraits of his latter years, whom he painted in strikingly truthful scenes.
  
  Surrounded by friends such as Julie Manet, Pierre Renoir, Marquet and Paul Signac, his life was spent between Paris, working as a painter and as the secretary of the Salon d'Automne, and his long stays in Laudun (he was the curator of the Musée de Bagnols-sur-Sèze), where he retreated during the Second World War.
  
  Gradually, the bright palette of his initial years became softer. But Albert André remained faithful to himself, to his sense of intimacy, his muffled interiors, the familiar objects, flowers, vases, furniture, mirrors, open windows in Laudun where "he found the landscapes on his doorstep, the flowers in his garden, and his models in his friends" (G. Mermillon).
  
  Evelyne Yeatman-Eiffel
  
  
• Sobre artista

  Pode acontecer que um artista ou criador seja desconhecido.

  Algumas obras não devem ser determinadas por quem são feitas ou são feitas por (um grupo de) artesãos. Exemplos são estátuas dos tempos antigos, móveis, espelhos ou assinaturas que não são claras ou legíveis, mas também algumas obras não são assinadas.

  Além disso, você pode encontrar a seguinte descrição:

  •"Atribuído a …." Na opinião deles, provavelmente uma obra do artista, pelo menos em parte

  • “Estúdio de…” ou “Oficina de” Em sua opinião um trabalho executado no estúdio ou oficina do artista, possivelmente sob sua supervisão

  • "Círculo de ..." Na opinião deles, uma obra da época do artista mostrando sua influência, intimamente associada ao artista, mas não necessariamente seu aluno

  •“Estilo de…” ou “Seguidor de…” Na opinião deles, um trabalho executado no estilo do artista, mas não necessariamente por um aluno; pode ser contemporâneo ou quase contemporâneo

  • "Maneira de ..." Na opinião deles, uma obra no estilo do artista, mas de data posterior

  •"Depois …." Na opinião deles uma cópia (de qualquer data) de uma obra do artista

  • “Assinado…”, “Datado…” ou “Inscrito” Na opinião deles, a obra foi assinada/datada/inscrita pelo artista. A adição de um ponto de interrogação indica um elemento de dúvida

  • "Com assinatura ….”, “Com data ….”, “Com inscrição ….” ou “Tem assinatura/data/inscrição” na opinião deles a assinatura/data/inscrição foi adicionada por outra pessoa que não o artista

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