Dutch Delft chinoiserie plaque, 18th century by Unknown artist
Dutch Delft chinoiserie plaque, 18th century by Unknown artist
Dutch Delft chinoiserie plaque, 18th century by Unknown artist
Dutch Delft chinoiserie plaque, 18th century by Unknown artist
Dutch Delft chinoiserie plaque, 18th century by Unknown artist
Dutch Delft chinoiserie plaque, 18th century by Unknown artist
Dutch Delft chinoiserie plaque, 18th century by Unknown artist
Dutch Delft chinoiserie plaque, 18th century by Unknown artist
Dutch Delft chinoiserie plaque, 18th century by Unknown artist
Dutch Delft chinoiserie plaque, 18th century by Unknown artist

Dutch Delft chinoiserie plaque, 18th century 1760

Unknown artist

GlazeCeramicEarthenwarePaint
35 ⨯ 31 cm
ConditionVery good
€ 1.950

Verkoulen Oriental & European Antiques

  • About the artwork
    A colorful grand feu oval shaped Delft chinoiserie plaque with a Long Eliza, crawl and peony flower decoration, 18th century, around 1760, Delft, Holland.

    Dimensions: 35x31 cm.
    Probably attributable to the pottery factory 'The White Star / De Witte Ster'.

    The word "plaque" has its roots in Latin. It is derived from the Latin word "placa," meaning a flat, thin plate or slab. Antique plaques were especially made for decorative proposes. This particular plaque has a very unusual shape because the oval form has sharp ends looking like accolades. In this shape we can see the influence of the Rococo style. This style can be recognized by asymmetry and curved lines and had its main impact on interior decoration and applied art in Europe between 1730 and 1760.

    The decoration is inspired by the Chinese Qianlong porcelain (1735-1796). The Long Eliza, crawl and peony flower are located in a typical Chinese fenced garden with rocks. In the second half of the 18th century these decorations became popular for especially the design of plaques. This can be explained by the influence of the Rococo style which typically displays lighthearted and elegant scenes.
    The object has a striking color scheme. We can mainly see the red, yellow and deep blue but also a soft green, manganese (purple) and lighter blue. The use of this color scheme indicates a great craftmanship because of the time-consuming baking processes that was necessary to realize the result.

    This plaque can probably be attributed to the pottery factory 'The White Star / De Witte Ster'. A similar decorated example has been auctioned in 2018, with the mark of this factory on her back (which is also a star)

    Condition: good condition, minimal damage to the edge which is usual for Delft pottery. No defects or restorations.

    Reference: A similar example but with another border is in the collection of Musée Ariana, Ville de Genève (inventory number; AR 2007-146-2). This work features on the cover of the book (and exhibition) of Anne-Claire Schumacher “La donation Clare van Beusekom-Hamburger, Faïences et porcelaines des XVIe-XVIIIe siècles” 2010.

    For comparable examples see:
    -Christies 13 November 2019, Live auction 17185 ‘The Collector: European and English Furniture, Ceramics, Portrait Miniatures & Works of Art’, Lot nr. 139.
    -Christies 24 June 2020, Online auction 19597 ‘Arts from the kiln: ceramics through the centuries’, Lot nr. 18.

  • About the artist

    It might happen that an artist or maker is unknown.

    Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

    As well you can find the following description:

    •“Attributed to ….” In their opinion probably a work by the artist, at least in part

    •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

    •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

    •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

    •“Manner of ….” In their opinion a work in the style of the artist but of a later date

    •“After ….” In their opinion a copy (of any date) of a work of the artist

    •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

    •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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