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Gezicht op Grou (Friesland) by Johannes Elsinga
Gezicht op Grou (Friesland) by Johannes Elsinga
Gezicht op Grou (Friesland) by Johannes Elsinga
Gezicht op Grou (Friesland) by Johannes Elsinga

Gezicht op Grou (Friesland) 1947

Johannes Elsinga

Original oil on canvas
45 ⨯ 60 cm
Price on request

Bruning Heintz Fine Art

  • About the artwork
    Zomers gezicht met zeilboten op het Pikmar bij Grou (Friesland). Linksachter is de toren van de Sint Piterkerk zichtbaar. Rechts op de voorgrond ligt een zeilbootje aan de kant. Wat gaat er boven lekker zeilen in de zomer in Friesland ! Simon Schermerhorn, botenkenner en woonachtig in Friesland, heeft de volgende aanvulling: De vier zeilboten zijn qua klasse niet zeker te benoemen. De aan de kant liggende zeilboot rechts lijkt qua romp een 16m2 (ontwerp 1931), maar de tuigage is door Elsinga niet goed in verhouding geschilderd. De andere zeilboten kunnen 22m2, 30m2 of Regenboog voorstellen, die respectievelijk in 1934, 1936 en 1917 zijn ontworpen (of op het water verschenen).

    Gedateerd 1947
    Grootte 60 x 45 cm
    Signatuur Gesigneerd
    Materiaal Olieverf op doek
    Stroming Klassiek impressionisme
    Locatie Grou
    Provenance Galerie Niemeijer
  • About the artist

    Johannes Elsinga (Wommels, 12 May 1893 – Leeuwarden, 18 March 1969) was a prominent Frisian impressionist painter and watercolourist, known for his figure paintings, landscapes, cityscapes and floral still lifes.

    Education and early recognition

    Elsinga studied at the Rijksacademie van Beeldende Kunsten in Amsterdam, where he studied under the guidance of Nicolaas van der Waay. He also took lessons at the academy in The Hague. During his studies, his talent was recognised early on; from 1917 to 1920 he received a royal subsidy, and he was twice awarded a prize associated with the Willink van Collen Prize.

    Career and influences

    In 1921 Elsinga returned to his birthplace Leeuwarden. He made numerous painting trips to North Africa, Spain, France, Switzerland and England, among other places. Although he is considered a late bloomer of the Hague School, his work is distinguished by a warmer palette, with frequent use of earth tones and deep reds for accents.

    Style and theme

    Elsinga's impressionistic style is characterized by a lively use of color and a loose brushwork. His subjects range from serene Frisian landscapes and lively cityscapes to intimate figure studies and colorful flower still lifes. His travels to various countries brought a diversity of themes and influences into his work, which contributed to his rich and varied oeuvre.

    Johannes Elsinga left behind an extensive and varied oeuvre that is still appreciated and studied. His works are included in various collections and are regularly exhibited, ensuring that his contribution to Dutch painting is permanently recognized.

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