Portrait of a young lady 1900

Paul-Cesar Helleu

EtchingPrint
40 ⨯ 28 cm
€ 1.250

Inter-Antiquariaat Mefferdt & De Jonge

• About the artwork
  Portrait d’une jeune femme regardant vers sa gauche. Drypoint etching, made by Paul César Helleu around 1900. Pencil-signed at lower right. Size: 40 × 28 cm. At the mention of the name Helleu, one immediately thinks of the Belle Époque: an era of elegance and cosmopolitan refinement that extended from the late nineteenth century until the outbreak of the First World War. Paul César Helleu (1859–1927) began his career as an apprentice ceramicist while also taking drawing lessons. In 1876, following the death of his father, he moved—against his mother’s wishes—to Paris to study at the École des Beaux-Arts. There he quickly became part of artistic circles associated with Impressionism and came into contact with artists such as Edgar Degas, James Jacques Tissot, and Giovanni Boldini, as well as influential figures from the literary and social world, including Robert de Montesquiou. In 1884 Helleu received a commission to portray the young aristocratic woman Alice Guérin. Two years later she became his wife. Through her, he was introduced into the highest social circles of Paris, where he rose to become one of the most sought-after portrait artists of the beau monde. Helleu’s style, characterized by exceptional feminine grace and refinement, was admired not only in Paris but also found great acclaim among high society in London and New York. His sitters included Consuelo Vanderbilt, Marchesa Casati, Belle da Costa Greene, Louise Chéruit, and Helena Rubinstein. Helleu was also a virtuoso of drypoint etching, a technique in which a diamond-tipped needle is used to draw directly onto a copper plate. In this medium, he employed the same free, dynamic, and refined line as in his pastels. Price: Euro 1.250,-
• About the artist

  Paul-César Helleu was a French painter best known for his elegant portraits of women from the Belle Époque. At the age of sixteen, he was admitted to the École des Beaux-Arts, where he developed his classical foundation while simultaneously developing a keen eye for modernity and style.

  That same year, he attended the Second Impressionist Exhibition, where he met Claude Monet and John Singer Sargent. The impact of their work was immediate: the loose brushstrokes, the light, and the natural modernity on the canvas seamlessly matched Helleu's own sensitivity to atmosphere and charisma. He built a close relationship with Sargent, one that became both artistically and personally significant.

  He became one of the most respected artists of the Edwardian era. His portraits combine refinement with a seeming effortlessness: women appear to him as icons of their time—graceful, self-assured, and surrounded by a world of fashion, luxury, and subtle psychology. His reputation earned him honorary memberships in several art societies, and his work was widely collected. Today, his paintings are held in museum collections worldwide.

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