T74 - 63 by Jan Schoonhoven
T74 - 63 by Jan Schoonhoven
T74 - 63 by Jan Schoonhoven
T74 - 63 by Jan Schoonhoven

T74 - 63 1974

Jan Schoonhoven

InkPaperFelt pen
50 ⨯ 32 cm
ConditionExcellent
Price on request

Bert Kuipers Kunsthandel

  • About the artwork
    Schoonhoven, Johannes Jacobus (‘Jan’); Hof van Delft 1914 – 1994 Hof van Delft
    Titel: T74 – 63, viltstift op papier, 1974
    50 x 32,5 cm., getiteld, gedateerd en genummerd in potlood l.o. ‘T74-63’, gesigneerd en gedateerd in potlood r.o.: ‘Schoonhoven 1974’
    verso: gesigneerd, gedateerd, getiteld en voorzien van afmetingen: ‘J.J. Schoonhoven 1974, T74 -63, viltstifttekening, betekend 40 x 24,5’ cm
    Herkomst pariculiere collectie Nederland

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  • About the artist

    Jan Schoonhoven, born on June 26, 1914 in Delft, the Netherlands, is considered one of the most influential abstract artists of the twentieth century. He was a master of creating subtle, minimalist works of art that were often characterized by a play of light and shadow. Schoonhoven was a pioneer of geometric abstraction and a key figure in the Dutch avant-garde.

    Education and early career
    Schoonhoven studied at the Royal Academy of Art in The Hague, where he laid his artistic foundation. In addition to his work as an artist, he worked as a civil servant at the PTT (the Dutch postal service) throughout his career. This stable job allowed him to develop his art without commercial pressure, which gave his work a pure and uncompromising character.

    Oeuvre and style
    Jan Schoonhoven's work is best known for his reliefs, often made of cardboard, papier-mâché and white paint. His sculptural works have a rhythmic, almost architectural quality and evoke associations with light falling on buildings or shadows in urban spaces. Through his consistent use of white and his emphasis on structure and texture, he invited the viewer to explore the subtleties of his work.

    His art is often associated with the Zero movement (Nul in the Netherlands), an international avant-garde movement that challenged the traditional idea of ​​art by emphasizing objectivity, simplicity and the use of industrial materials. Schoonhoven shared the Zero artists' vision of stripping art of emotional and personal expression, and instead focusing on pure form and material.

    International recognition
    In the 1960s, Jan Schoonhoven gained international recognition. He exhibited at prestigious venues such as the documenta in Kassel and the Venice Biennale, where he won second prize in 1967. His work attracted the attention of collectors and museums worldwide, making him one of the most celebrated Dutch artists of his time.

    Personality and working method
    Despite his growing fame, Schoonhoven remained a modest and reserved person. His methodical working method and strict discipline reflected his calm and disciplined personality. His studio was a small workspace, where he carefully worked on his artworks, often in the evenings after his work at the PTT.

    Legacy
    Jan Schoonhoven died on 31 July 1994 in his birthplace Delft. His influence on modern art is undeniable. His reliefs remain a source of inspiration for artists and admirers of minimalist art. His work is included in the collections of prominent museums, including the Stedelijk Museum in Amsterdam and the Museum of Modern Art in New York.

    Schoonhoven is remembered as an artist who knew how to transform the everyday into something extraordinary. His pursuit of simplicity and harmony in a complex world makes his work timeless and relevant, even decades after his death.

    and also in his line drawings. He maintains his own unique signature.

     

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