Tekening
ca. 26,5 x 20,5 cm
1986
Prijs op aanvraag
In 1986 gaf de wereldberoemde kunstenaar KEITH HARING een lezing op de kunstacademie in Utrecht, tegenwoordig de HKU (Hogeschool voor de Kunsten Utrecht). Na de lezing pakte hij een spraybus en met grote, vloeiende beweging zette hij twee figuren op de liftdeur in de gang, spiegelende met opgestoken armen. Voor een tiental van de aanwezigen studenten heeft hij toen een aantal tekeningen gemaakt. Deze tekening is toen op verzoek van de huidige eigenaresse voorzien van twee 'jongheren' en komt nu na veertig jaar op de markt.
Keith Haring was an American artist and social activist whose work responded to the New York City street culture of the 1980s by expressing concepts of birth, death, sexuality, and war. Haring studied commercial art from 1976 to 1978 at Pittsburgh's Ivy School of Professional Art but lost interest in it. He made the decision to leave after having read Robert Henri's The Art Spirit (1923) which inspired him to concentrate on his own art. His first important one-man exhibition was in Pittsburgh at the Center for the Arts in 1978. He first received public attention with his public art in subways. His bold lines, vivid colors, and active figures carry strong messages of life and unity.
By 1982, Haring had established friendships with fellow emerging artists such as Madonna and Jean-Michel Basquiat. He created more than 50 public works between 1982 and 1989 in dozens of cities around the world. He got to know Andy Warhol, whose friendship would prove to be a decisive element in his eventual success.
Haring became politically active, designing a Free South Africa poster in 1985, and in 1986, painting a section of the Berlin Wall. His work began reflecting more socio-political themes, such as anti-Apartheid, AIDS awareness, and the crack cocaine epidemic. He created several pop art pieces influenced by other products: Absolut Vodka, Lucky Strike cigarettes, and Coca-Cola.
Haring was openly gay and was a strong advocate of safe sex; however, in 1988, he was diagnosed with AIDS. With the rise of AIDS, Haring aimed to turn the message about the disease outward by presenting it through the joint lenses of political power, religious institutionalism, and anti-sexual morals.
