Rachel Margaretha van Dantzig (Rotterdam, 12 November 1878 – Oudergem, 15 February 1949) was a Dutch sculptor, etcher and draughtsman, who distinguished herself by her refined figurative style and her passionate craftsmanship.

Born in Rotterdam at a time when female artists were still rare in sculpture, Van Dantzig managed to secure a place in Dutch art life with determination and talent. She studied at home and abroad and developed a classical, but personal formal language, in which human figures and portraits were central.

As a sculptor, she made portraits, busts and small sculptures with great attention to anatomy and character. Her work was praised for its balanced compositions and subtle expression of emotions. She knew how to combine stateliness with a warm, human appearance, which gives her images a lasting power.

In addition to her sculpture, Van Dantzig was a skilled etcher and draughtsman. In her drawings and prints she showed how she could evoke form and atmosphere with a single play of lines. These two-dimensional works were not a side issue for her but a fully-fledged part of her artistry, in which she developed her ideas and sought depth.

Van Dantzig worked and exhibited in both the Netherlands and Belgium and eventually settled in Oudergem, near Brussels. Her work was appreciated in her own time for its solidity, craftsmanship and honest, classical beauty. As a female pioneer in a traditionally male profession, she also paved the way for subsequent generations of female artists.

With her careful, people-oriented approach to art, Rachel van Dantzig left behind a refined and authentic oeuvre that still bears witness to dedication, expertise and a keen eye for the human dimension.