'Abstract' 1960 - 1965
Louis Wolchonok
Ink
35 ⨯ 28 ⨯ 4 cm
ConditionVery good
€ 500
Willem Kerseboom Gallery
- About the artworkLouis Wolchonok (American, New York 1898– 1973)
Louis Wolchonok was a social realist painter and member of the Woodstock Art Association. His work was exhibited at the Whitney Museum of American Art, the National Academy of Design and the Philadelphia Academy of Fine Art.
An author of art books, etcher, painter of townscapes, landscapes, figure painting, muralist, and graphic silkscreen artist. Wolchonok was a social realist artist who worked in watercolors, oils, and prints. Many well known Jewish and Immigrant artists worked for the Federal Art's Project (the New Deal) commonly referred to as the WPA, including Berenice Abbott, William Baziotes, Aaron Bohrod, Ilya Bolotowsky, Stuart Davis, Adolf Dehn, Willem de Kooning, Arshile Gorky, Jan Matulka, Irene Rice Pereira, Louis Schanker and Jean Xceron. He studied at National Academy of Design, Cooper Union Art School, City College of New York, Julian Academy, Paris, and the Brooklyn Academy of Fine Art.
He taught drafting at City College of NY from 1930; and design, painting and etching at the Craft Students League, YWCA, NY, NY from 1932. He authored "The Art of Three Dimensional Design : How to Create Space Figures", "Lessons in Pictorial Composition", "Design for Artist and Craftsmen." His work bears similarities to Rolph Scarlett and to Hans Hoffman. - About the artist
Louis Wolchonok was born in 1898 in New York City, a city that would continue to inspire him throughout his life. The son of Eastern European immigrants, he grew up in an environment steeped in cultural diversity and social inequality—two themes that would play a major role in his artistic and didactic work. Wolchonok was not only a gifted artist, but also a committed teacher, author, and advocate of art as a social instrument.
Wolchonok worked as a painter, draftsman, etcher, and lithographer, with a style that ranged from realistic to slightly expressionistic. His subjects were often scenes from everyday life: workers on the streets, immigrants on the Lower East Side, markets, construction sites, and the architectural dynamism of New York itself. He was uniquely able to capture the rhythm and raw beauty of the city, with a keen eye for human interaction and social awareness.
In addition to his artistic career, Wolchonok had a deep commitment to art education. He taught at several institutions, including the City College of New York and Teachers College of Columbia University. His books, such as “The Art of Perspective Drawing” and “Design for Artists and Craftsmen,” have become classics in art schools and are still used today for their clarity of explanation, technical precision, and accessible style.
At a time when art was often seen as a luxury or elitist expression, Wolchonok saw art as something that should serve and connect. During the Great Depression, he worked on federal art projects (such as the WPA Federal Art Project), supporting other artists and making art accessible to the general public. His belief that art can play a role in social justice and community building remained a common thread in his work.
Louis Wolchonok died in 1973, but his influence lives on—not only in his artwork, but also in the generations of artists he trained and the books that are still read today. He was an artist of the people, a craftsman with a mission, and a teacher with a big heart. In a time of rapid modernization, Wolchonok managed to maintain the human scale, with pencil, brush and pen.
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