Ayanna (floor standing) 2024

Michael James Talbot

BronzeMetal
165 cm
Price on request

Calken Gallery

• About the artwork
  Ayanna is a limited edition bronze created by Michael James Talbot.
  The figure of Ayanna is beautifully blended with the column drape and stands approximately 165cm (65″) tall.
  This slender floor standing piece is a powerful, elegant and very feminine sculpture.
  
  Ayanna is available in this floor standing edition and also a table-top edition. She has a sister piece called Amara, also available in floor standing and table-top. Together they make a stunning and imposing pair of beautiful works of art.
  
  The bronze sculpture “Ayanna” by renowned artist Michael James Talbot captures the essence of grace and strength in a stunning representation of femininity. Available in both floor-standing and tabletop versions, the sculpture features a beautifully detailed female figure poised in a dynamic pose that suggests movement and vitality.
  
  The figure is crafted with exquisite attention to detail, showcasing flowing lines that highlight the curves and contours of the body. The surface of the bronze is skilfully finished, with variations in the patina that enhance the overall depth and visual interest, with rich, warm tones, further accentuating the elegance of the piece.
  
  In the floor-standing version, “Ayanna” commands attention, becoming a focal point in any space, while the tabletop version offers a more intimate viewing experience, inviting closer appreciation of the intricate details. Overall, “Ayanna” is not just a sculpture; it is a powerful statement about beauty, identity, and the resilience of the human spirit, making it a remarkable addition to any collection.
  
  Ayanna in bronze symbolises a timeless elegance, rooted in both innocence and strength, celebrating the essence of a “flower” that blooms and endures.
• About the artist

  Michael James Talbot (born in 1959 in Staffordshire, England) is a distinguished British sculptor, internationally celebrated for his figurative bronze works that capture the dynamic essence of the human form. His art blends classical techniques with a modern interpretation of movement, balance, and form, resulting in timeless sculptures that continue to captivate viewers.

  Talbot's artistic journey began with a Bachelor of Arts Honours degree in Sculpture. In 1980, he was awarded a prestigious scholarship for postgraduate studies at the Royal Academy of Arts in London, where his exceptional talent earned him the coveted Landseer Prize in 1983. He further refined his craft at the Sir Henry Doulton Sculpture School, studying under esteemed artists such as Colin Melbourne ARCA and Dame Elizabeth Frink RA. These classical and modern influences left a lasting impact on his style and artistic approach.

  

  His dedication to sculpture was recognized in 1997, when he was elected a member of the Royal Society of British Sculptors. In 2012, he was also elected to the National Sculpture Society in the USA, solidifying his reputation as an internationally acclaimed artist.

  Talbot draws his inspiration from theatre, mythology, dance, and illusion, describing sculpture as "essentially a theatrical construction, an attempt to show and illuminate a chosen moment in time." His work represents a delicate balance between the fleeting nature of human expression and the enduring solidity of bronze as a medium.

  

  Many of his sculptures depict figures emerging from flat planes or suspended structures, a technique that emphasizes form, tension, and balance, guiding the viewer’s gaze and capturing a transitory movement in a static, tangible form.

  His sculptures Briseis and Ariadne exemplify this approach. The inspiration for these pieces came from plumes of water in a night-lit fountain, where Talbot perceived figures within the tumbling energy of liquid motion. He sought to capture this ethereal vision in bronze through the ancient lost wax process, a technique rooted in Classical Greek sculpture, allowing him to transform timeless mythological narratives into solid, enduring works of art.

  

  In addition to creating complete figures, Talbot frequently explores fragmentation, as seen in works like Harlequin and Veil. This artistic choice, often inspired by shadows cast by models on his studio wall, reflects his belief that "less is sometimes more."

  Talbot always begins with live models, carefully capturing the essence of a specific pose or gesture. He contrasts this fleeting moment with the permanence of bronze, a material that withstands the passage of time. As he explains: "When we gaze into the face of an ancient bronze in a museum, what reaches out across the millennia of time is not how different, but how like us they were."

  

  Each sculpture starts as a clay model, which Talbot personally casts, refines, and patinates. Maintaining full control over the entire creative process allows him to enhance even the smallest details, ensuring that each sculpture has a unique and distinctive character. His works are not only visually compelling but also designed to be touched and experienced—artworks that possess both a physical and spiritual presence.

  Talbot’s sculptures are held in private and public collections worldwide, including those of Patrick Lichfield, Lord Gibson (former chairman of the Arts Council), and NatWest Bank. His work is exhibited in renowned galleries and museums, where audiences continue to be enchanted by the timeless elegance of his creations.

  

  Michael James Talbot’s art is a celebration of the human form and its poetic drama. His craftsmanship and vision make his sculptures distinctive, intricate, and breathtakingly beautiful. Through the enduring power of bronze, he invites us to reflect on time, movement, and our connection to the past, creating a profound dialogue between the fleeting nature of existence and the timelessness of art.

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