S-2 by Miao Xiaochun
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S-2 2006

Miao Xiaochun

C-printPhotographic print
106 ⨯ 59 ⨯ 5 cm
ConditionVery good
€ 1.500

Willem Kerseboom Gallery

  • About the artwork
    S-2
    C-Print
    signed,dated 2006
    numbered 5/18
    106x59,5 cm
    framed
    Miao Xiaochun was born in Wuxi, Jiangsu Province, China in 1964. He graduated from CAFA, Beijing,
    China in 1989 and from Kunsthochschule Kassel, Germany in 1999. In the 1990s, Xiaochun began his experimenting with the relationships between art and advancing technology, but it was not until 2005 that Xiaochun began creating his large-scale digitized works.

    As the one of the foremost representatives of Chinese new media art, his extensive body of works parallel each other through the theme of technology as a representation of the present, and classical artwork as the past. His use of contemporary photography is based on the “multiple viewpoints” perspective to pioneer connections between history and the modern world. He successfully uses 3D technology to create upon a 2D image a virtual 3D scene, to transform a still canvas into moving images, concurrently changing the traditional way of viewing paintings and giving a completely new interpretation and significance to a masterpiece of art, especially with the striking use of his idiosyncratic imagination about history and the future. His works add an important example to contemporary negotiations with art history.

    Miao Xiaochun’s recent solo exhibitions include: Miao Xiaochun: Gyro Dance, Eli Klein Gallery, New York (2019); 01 Variable Cycle: Miao Xiaochun 2006-2018, OCT Art & Design Gallery, Shenzhen, China (2019); Echo, Galerie Paris-Beijing, Paris (2016); Metamorphosis, Klein Sun Gallery, New York (2016); Miao Xiaochun: Save As, White Box Art Center, Beijing (2015); Miao Xiaochun 2015, Art Museum of Nanjing University of the Arts, Nanjing, China (2015).


  • About the artist

    Miao Xiaochun (缪晓春), born in 1964 in Wuxi, Jiangsu, China, is an influential contemporary artist known for his innovative integration of digital technologies into visual arts. His diverse body of work spans photography, digital media, and painting, seamlessly weaving traditional art forms with modern digital techniques.​

    Miao received his bachelor’s degree from Nanjing University in 1986. In 1989, he completed his master’s degree at the Central Academy of Fine Arts (CAFA) in Beijing. His academic journey then took him to Germany, where he obtained a second master’s degree from the Kunsthochschule Kassel in 1999. Since then, he has been a professor at CAFA, teaching photography and digital media. ​

    In the 1980s, Miao began his career as a painter and held his first solo exhibition in Beijing. In the 1990s, his focus shifted to photography and digital media, which led to international recognition. His work is known for creating virtual worlds populated by cybernetic beings, combining classical Western art with futuristic, technologically advanced environments. ​

    One of his notable works is "The Last Judgment in Cyberspace", a digital reinterpretation of Michelangelo's "The Last Judgment" from the Sistine Chapel. In this series, Miao replaces all 400 figures with digital self-portraits, creating a futuristic and industrial scene that contains both serene and menacing elements. ​

    Miao's work has been exhibited worldwide, with solo exhibitions such as "Macromania" at the Ludwig Museum in Koblenz, Germany, and "Out of Body" at the White Box Museum of Art in Beijing. He has also participated in prestigious group exhibitions, including the 55th Venice Biennale and the 7th Asia-Pacific Triennial of Contemporary Art in Brisbane, Australia. ​

    Miao Xiaochun is considered a pioneer in Chinese digital art. His work explores the boundaries between reality and virtuality, reinterpreting traditional art history through modern technologies. His innovative approach has contributed to the evolution of contemporary art practices in China and beyond. ​

    Through his unique combination of traditional and digital art forms, Miao Xiaochun remains an influential figure in the international art scene. His work challenges conventional perceptions and invites viewers to reflect on the interaction between technology, culture, and identity in the modern world.

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