A rare Portuguese-Sinhalese openwork ivory and ebony casket with silver mounts by Unknown artist
A rare Portuguese-Sinhalese openwork ivory and ebony casket with silver mounts by Unknown artist
A rare Portuguese-Sinhalese openwork ivory and ebony casket with silver mounts by Unknown artist
A rare Portuguese-Sinhalese openwork ivory and ebony casket with silver mounts by Unknown artist
A rare Portuguese-Sinhalese openwork ivory and ebony casket with silver mounts by Unknown artist
A rare Portuguese-Sinhalese openwork ivory and ebony casket with silver mounts by Unknown artist
A rare Portuguese-Sinhalese openwork ivory and ebony casket with silver mounts by Unknown artist
A rare Portuguese-Sinhalese openwork ivory and ebony casket with silver mounts by Unknown artist

A rare Portuguese-Sinhalese openwork ivory and ebony casket with silver mounts 1600 - 1650

Unknown artist

EbonyBoneWoodSilver
10 ⨯ 23 ⨯ 16 cm
Price on request

Zebregs & Röell - Fine Art - Antiques

  • About the artwork
    The ebony box with ivory borders and silver hinges, lock plate and corner mounts, is entirely covered with open work ivory panels. This type of work was typically done during the Portuguese period on Sri Lanka. The ivory decoration on the front, back and both sides consists of branches springing from vases and ending in flower bases from which women appear. The mythical climbing vines ending in the appearance of a woman are a very commen element in Kandyan design and known as nãri-latã-v!la “in all wise of perfect beauty, glorious in grace.” Like most other mythical things the Nãri-latã-v!la is supposed to grow in the himalayas where has been known to shake the resolution of hermits. The central decoration of the woman on top of the elephant holding flowers in both hands may be associated with the goddess Sri (Laksmi) the consort of Vishnu, the feminine beauty personified and goddess of fortune.

    A similar box in the collection of the National Museum of Colombo is illustrated in Portugal e Ceilão, Pedro Dias, Lisboa 2006, p.179.
  • About the artist

    It might happen that an artist or maker is unknown.

    Some works are not to be determined by whom it is made or it is made by (a group of) craftsmen. Examples are statues from the Ancient Time, furniture, mirroirs, or signatures that are not clear or readible but as well some works are not signed at all.

    As well you can find the following description:

    •“Attributed to ….” In their opinion probably a work by the artist, at least in part

    •“Studio of ….” or “Workshop of” In their opinion a work executed in the studio or workshop of the artist, possibly under his supervision

    •“Circle of ….” In their opinion a work of the period of the artist showing his influence, closely associated with the artist but not necessarily his pupil

    •“Style of ….” or “Follower of ….” In their opinion a work executed in the artist’s style but not necessarily by a pupil; may be contemporary or nearly contemporary

    •“Manner of ….” In their opinion a work in the style of the artist but of a later date

    •“After ….” In their opinion a copy (of any date) of a work of the artist

    •“Signed…”, “Dated….” or “Inscribed” In their opinion the work has been signed/dated/inscribed by the artist. The addition of a question mark indicates an element of doubt

    •"With signature ….”, “With date ….”, “With inscription….” or “Bears signature/date/inscription” in their opinion the signature/ date/ inscription has been added by someone other than the artist

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