'Abstract' 2011
I Made Wianta
Original oil on canvas
120 ⨯ 240 ⨯ 5 cm
ConditionVery good
€ 7.500
Willem Kerseboom Gallery
- About the artworkI Made Wianta,
oil on canvas, 120x240 cm
bought directly from teh artist.
I Made Wianta
Transcending cultural boundaries, Made Wianta (1949-2020) oeuvre is a pulsing epitome of moulding influences, inspirations and reinventions. Wianta practised painting, sculpture, installations, mixed media and performance art. Owing to his expertise in Balinese cultural dance and music, his artistic attempts involved a dynamic usage of his body in rendering colours on a canvas. He would often move around dancing while painting or sketching as an idea of total indulgence in a creative pursuit. Of the same attitude, his wife, Intan Wianta confesses, “When he was creative, he would put his entire body and spirit into it.”
Although trained at The Indonesian Academy of Fine Art in Yogyakarta, his perpetual zeal of learning, assimilating and expanding his knowledge exceeded the local and national margins. In 1975, when the world was shifting its gaze to modernism, Wianta made his trip to Europe, which augmented his time of experimenting with many shapes and signs. Since 1977, he has lived and worked in Brussels, Belgium.
Elucidating Bali, Asian, Chinese and Japanese artistic culture, his artworks persistently highlight glimmers of European surrealism and expressionism. One of the path-breaking modern Indonesian artists, Wianta’s lifelong works project his experimental attitude and constant renovation of abstract forms. At an overview, his works could be divided into several phases, which comprise dots, lines, triangles, calligraphy and mixed media. Spontaneous and vibrant, his black and white biomorphic renditions trace his interest in Sumi-e painting.
Having handled several media and art forms, Wianta’s exercises in performance art embarked on a new dimension of artistic discourse. While they reflected his emotions towards the socio-political and historical issues of Indonesia, his visual language subtly expressed his protest and resistance. More importantly, Wianta’s abstract movement of two-dimensional lines run parallel with his multi-media performances, leveraging meditative spirit and dynamic action.
Many of Wianta’s large abstract works are panelled with lyrical compositions of calligraphy like those of Chinese manuscripts. Standing at the brink of originality and influence, Wianta’s calligraphy expressions remind us of Japanese Kanji calligraphy. Interestingly, stated as choreo-calligraphy, the alphabets observe a free motion yet follow a beautiful rhythm. Just as lines, colours and forms, the space emanates a pervading symbiosis of the assorted elements, whether material or immaterial.
Reflecting on his versatile diversity, was it Wianta’s restlessness to know or a zealous will to move beyond the unknown? Can we describe them as just surfaces, or are they layers of experience and mobility within and without? Wianta’s practice is emblematic of changing life and its momentary acceptance. Robert C Morgan, in Wild Dogs In Bali: The Art of Made Wianta, published in 2005, explains, “There is a restlessness in Made Wianta that insists on producing some variation as yet unseen. He works from the premise that there is something to be revealed from the interior structure of memory, history, and legend, something that goes deep into the stratosphere of time, the cosmic energy of the soul that is ready at any moment to burst forth into the brightness of a thousand stars”.
Having exhibited worldwide, Made Wianta’s legacy of artistic practice is now taken care of by his wife and family.
Studied at the school of fine art in Denpasar and The Indonesian Academy of Fine Art in Yogyakarta. Before completing the programme, however, he went to Brussels, Belgium. For several years he worked and visited museums and galleries there, then returned to Indonesia in 1972. He has participated in many group and solo exhibitions in Indonesia and abroad, including the Venice Biennale in 2003, and Mike Weiss Gallery in New York, USA in 2005. His artistry has been documented in the books Made Wianta (1990), Made Wianta : Universal Balinese Artist (1999), Made Wianta : Art and Peace (2000), and Wild Dogs in Bali : The Art of Made Wianta (2005). - About the artist
I Made Wianta (1949-2020) was a groundbreaking Indonesian artist whose work spanned painting, sculpture, installation, mixed media, and performance art. His work transcended not only material and stylistic limitations, but also cultural boundaries, making him one of Southeast Asia’s most dynamic and influential artists.
From Balinese Tradition to Global Expression
Born and raised in Bali, Wianta was deeply influenced by Bali’s rich traditions of dance, music, and spiritual expression. These influences would remain an integral part of his art. Unlike many traditional artists, he chose not only to preserve Balinese culture but to redefine and transform it. His works, whether executed in paint, objects, or performances, always carried an energetic and spiritual charge.His unique method of painting—literally dancing around the canvas, applying paint with his movements—was a physical manifestation of his creative energy. He believed in a total experience in which body, mind and art merged. His wife, Intan Wianta, described his work as a process in which he completely immersed himself: “When he was creative, he gave his whole body and soul.”
An Art of Chaos and Harmony
Wianta’s art can be seen as a continuous dialogue between order and chaos. His early work was inspired by traditional Balinese patterns and symbolism, but later he increasingly incorporated experimental forms and abstraction into his oeuvre. He played with calligraphy, optical illusions and language as a visual element, with which he developed a unique visual language.His installations and performances often contained social and political messages, with which he examined globalization, environmental problems and the rapid modernization of Indonesia and the world. Because of this critical and playful approach, Wianta was seen not only as an heir to Balinese art, but also as an international avant-garde artist.
An Immortal Energy
Throughout his career, I Made Wianta has exhibited worldwide, from the Venice Biennale to major exhibitions in Europe, the United States, and Asia. His work is included in numerous museum and private collections, and his impact on the Indonesian and global art scene lives on.Wianta’s legacy is that of an artist who was never limited by style or convention. His works continue to pulse with the energy of a man who not only made art, but embodied it. His name remains synonymous with freedom of expression, the fusion of tradition and modernity, and the inexhaustible power of movement and color.
Are you interested in buying this artwork?
Artwork details
Related artworks
- 1 - 4 / 24
- 1 - 4 / 24
- 1 - 4 / 24
- 1 - 4 / 12



















































































