Une tête de face by Fernand-Edmond Jean Marie Khnopff
Une tête de face by Fernand-Edmond Jean Marie Khnopff
Une tête de face by Fernand-Edmond Jean Marie Khnopff
Une tête de face by Fernand-Edmond Jean Marie Khnopff
Une tête de face by Fernand-Edmond Jean Marie Khnopff
Une tête de face by Fernand-Edmond Jean Marie Khnopff

Une tête de face 1898

Fernand-Edmond Jean Marie Khnopff

PaperLithographyPrint
16.90 ⨯ 12.30 cm
ConditionVery good
€ 550

Klooster Fine Art

  • About the artwork
    [EN]
    Khnopff created this lithograph, Une tête de face - a Head in Front View - in commission for the English magazine The Studio. The lithograph was published with the January edition of The Studio in 1898 (vol. XII, no. 58).

    The print is monographed in the lower right of the image, and signed on the stone below the image. The wove paper was blind stamped with the logo of The Studio, in the lower right of the sheet.

    The sheet has some light stains in the margins, otherwise is good state.

    [NL]
    Khnopff maakte deze lithografie in opdracht voor het Engelse kunsttijdschrift The Studio. De prent is getiteld Une tête de face – gezicht van voren. De lithografie werd bij het januarinummer van The Studio in 1898 uitgegeven (vol. XII, no. 58).

    De prent is gemonogrammeerd rechtsonder, en is op de steen, onder het beeld gesigneerd. Het velijnpapier draagt een blinddruk met het logo van The Sutdio, rechtsonder op het blad.

    Het blad toont enkele vlekjes in de marge, maar is anderszins in goede staat.
  • About the artist

    KHNOPFF, FERNAND EDMOND JEAN MARIE (1858–⁠), Belgian painter and etcher, was born at the château de Grembergen (Termonde), on the 12th of September 1858, and studied under X. Mellery. He developed a very original talent, his work being characterized by great delicacy of colour, tone and harmony, as subtle in spiritual and intellectual as in its material qualities.

    “A Crisis” (1881) was followed by “Listening to Schumann,” “St Anthony” and “The Queen of Sheba” (1883), and then came one of his best known works, “The Small Sphinx” (1884). His “Memories” (1889) and “White, Black and Gold” (1901) are in the Brussels Museum; “Portrait of Mlle R.” (1889) in the Venice Museum; “A Stream at Fosset” (1897) at Budapest Museum; “The Empress” (1899) in the collection of the emperor of Austria, and “A Musician” in that of the king of the Belgians. “I lock my Door upon Myself” (1891), which was exhibited at the New Gallery, London, in 1902 and there attracted much attention, was acquired by the Pinakothek at Munich. Other works are “Silence” (1890), “The Idea of Justice” (1905) and “Isolde” (1906), together with a polychrome bust “Sibyl” (1894) and an ivory mask (1897).

    In quiet intensity of feeling Khnopff was influenced by Rossetti, and in simplicity of line by Burne-Jones, but the poetry and the delicately mystic and enigmatic note of his work are entirely individual. He did good work also as an etcher and dry-pointist.

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