Kust bij Canadel 1950

Arie Zwart

Original oil on canvas
40 ⨯ 50 cm
Price on request

Bruning Heintz Fine Art

• About the artwork
  Begin jaren 1950 legde AJ Zwart het kustplaatsje Canadel vast tijdens een reis door Frankrijk. Voor ons ligt een strakblauwe, zomerse zee; in de verte rijzen paarse bergtoppen op. Links markeren rotsen met olijfgroene struiken, een kromgegroeide boom en een cactusachtige plant de voorgrond. Huizen met terracotta daken liggen rustig aan de kust. Het heldere licht en de spaarzame, krachtige penseelstreken vangen de zinderende hitte en stilte van een mediterrane zomerdag.
  
  Grootte 50 x 40 cm
  Signatuur Handgesigneerd
  Materiaal Olieverf op doek
  Stroming Klassiek impressionisme
  Locatie Canadel
  Provenance Particuliere collectie
• About the artist

  Adrianus Johannes (Arie) Zwart, born on 30 August 1903 in Rijswijk, South Holland, was a versatile and prolific Dutch painter. His early work was strongly influenced by the Hague School, but over the years he developed his own impressionistic style with a lighter palette and looser brushwork.

  Zwart showed an interest in painting at a young age. He took two years of lessons at the Academy of Fine Arts in The Hague and received private lessons from Rijswijk artist Otto Kriens.

  After his education, he initially worked as a commercial artist to support himself. In 1926 he married and decided to devote himself entirely to painting.

  Zwart was a traveller. Initially he travelled with his family in a converted moving van through the Netherlands. In 1936 he had a houseboat built, called 'De Trekschuit', with which he sailed the Dutch waterways in search of inspiring landscapes. During the Second World War he stayed in Meppel, where he came into contact with local painters such as Stien Eelsingh and Roel Frankot. These encounters led to a lighter and sunnier palette in his work.

  After the war, Zwart expanded his horizons and travelled to Southern Europe, including France, Spain, Portugal and Tunisia. The intense Mediterranean light and bright colours influenced his paintings, resulting in colourful and lively landscapes and still lifes.

  In 1974, Zwart and his wife settled in the Rosa Spier Huis in Laren, a living and working community for elderly artists. He continued to paint actively until his death on 27 August 1981. His work is characterised by an impressionistic approach, with a focus on capturing the atmosphere and light of the Dutch and Mediterranean landscape.

  Arie Zwart left behind an extensive oeuvre that is still valued for its contribution to Dutch painting.

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