Zonder titel (nummer 039) 1987
Willem van Althuis
Original oil on canvas
63 ⨯ 45 cm
Price on request
Bruning Heintz Fine Art
- About the artworkIn de jaren 1987 – 1989 experimenteerde van Althuis, onder andere in een kleine serie ‘gescheurd en gevouwen’. De zachte kleurovergangen zijn nog steeds te zien maar de lijnen zijn harder. Ook schilderde hij in die periode in rood en beschilderde hij schilden. Het werk werd getoond op de expositie in galerie Thom Mercuur te Harlingen. De reacties waren wisselend, van zeer lovend tot kritisch. Deze experimentele periode was de laatste. Van Althuis bleef actief maar onder andere door gezondheidsproblemen werd zijn productie minder.
Gedateerd 1987
Grootte 45 x 63 cm
Signatuur In verso
Materiaal Olieverf op doek
Stroming Abstract expressionisme
Provenance Familie van de kunstenaar - About the artist
Willem van Althuis (Dronrijp, 3 March 1926 – Heerenveen, 9 October 2005) was a Dutch painter who only found his artistic calling at a later age. As an autodidact, he sought compensation for the hard life as a road paver in literature, philosophy and drawing at an early age. Encouraged by Thom Mercuur, curator and founder of Museum Belvédère, he began to study the history of modern painting, with a special interest in artists such as Wassily Kandinsky and Paul Klee. At the age of 37, Van Althuis began to paint himself and developed a unique style that earned him much admiration.
His work has been shown at various exhibitions, including the Stedelijk Museum in Amsterdam, the Fries Museum in Leeuwarden, the Institut Néerlandais in Paris and Museum Belvédère in Oranjewoud. In addition, several television broadcasts have been devoted to his work, such as the NOS program "Beeldspraak: Willem van Althuis en de kleur" (1976) and broadcasts surrounding the opening of the Belvédère Museum in 2004-2005, where his work was central.
Much of Van Althuis' work is in private collections, but also in the collections of the Stedelijk Museum Amsterdam, PTT Den Haag, the Province of Friesland, the Fries Museum and the Municipality of Heerenveen. Shortly after the Willem van Althuis Foundation was established on June 8, 2005, he died on October 9, 2005.
In 2013, the monograph "Willem van Althuis: Achter de horizon" was published, in which the artist's entire oeuvre is highlighted. This richly illustrated book offers insight into his development as an artist and shows previously unseen work.
Van Althuis' paintings are characterized by a quiet simplicity and a subtle use of color. He often took buildings from the Heerenveen and Dronrijp region as a starting point and reduced them to a few planes with soft colours, which resulted in almost abstract landscapes. His consistent reduction of representations led him to paintings with abstract planes, blurred lines, circles and squares.
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